Not Knowing is Knowing

Two days ago we were supposed to be back from spring break and I have wandered around pretending that making work to feel like I’ve done something, doesn’t matter.  I have walked, I have cooked, I have tried to finish off reading the pages I needed to read to start my second paper in my Master's work in the attempt to hide from this grief…this feeling of loss and hollowness…this not knowing what to do to make this better and swallowing myself whole because I don’t know what to do or how to be better at this right now.

Then I read Wagamese (2019) – the section at the end of One Drum where he is speaking to his elder, Jack Kakakaway, about feeling shame and fear about not knowing himself and his cultural ways. Elder Jack’s words gave me grounding:

‘We all come out onto the Earth in the same way.  We all share a common beginning.  We need to be taken care of.  We need to be shown love.  We need to be taught how to function.  No matter who we become we all begin our journeys in the exact same condition. That original condition is innocence and humility.

You’ve just told me what you believe you do not know.  But if what you said is true, then you actually know what it is that you don’t know.  So, in fact, you told me what you know.  All things are a circle.  A circle is wholeness.  So knowing and unknowing are the same energy.  When you know what you do not know, you have knowledge.  That is the strength of it (p. 190).’

Not knowing what to do is still knowing something.  I really feel like we all need a little of this teaching right now as people try to navigate their discomfort at not knowing what to do by forcing their belief of what they think is best for all children and youth at this time…when we really don’t. We don’t even know what is best for ourselves at this time, outside of washing our hands and keeping six feet away from people when we leave the sanctuary of our houses.

There is so much comfort in the not knowing is knowing.  This allows me to ease up on myself and my fear of not having answers or something to do to keep people busy for the sake of keeping them busy.  I have to listen to the voices around me and be guided by them…understanding that not knowing is knowing…and that’s all I got for now…and that’s ok.

A lot is 2 words in that quote.  I was saving space. ;)

Some times a book just gets you...

THIS POST CONTAINS SPOILERS - IF YOU HAVEN'T READ THE BOOK OR ARE IN PROCESS...WAIT UNTIL LATER TO READ THIS!   :) 

I haven't written about a book for a while.

This one hit me, head on, at the right time.  It is one of those novels - the teachings arrive when you need it most.  I needed the teachings in this novel.

Thank you, Tommy Orange for sharing your gifts with the world.

I wrote this piece a couple of weeks ago and have just gotten around to sharing it.

Enjoy.

Oh, and go buy There, There and read it - especially if you are Indigenous.  There are deep teachings There.

I finished the blog post Oct 1), posted it, and then I couldn’t sleep.

I had many dreams last night about accessing deep, firey centres – about the places being ready but I couldn’t quite get to the entry points.  I dreamed someone was trying to take Dante from a camper I left open and unattended for a few seconds.  I even cried out in my dream and woke up Dal.  I scared the person away I think but I am sure I saw the person with my baby in his hands.

I had lines come to me like:

“My grief grabbed me by the throat.”

and “Our Ancestors are YouTube now” from my infection (the first line) and thinking about There, There where Orvil teaches himself how to powwow dance by watching YouTube. I thought about how that is the “Urban and Native” reality because our elders are missing, in a traditional sense, and haven’t been given the traditional knowledge because residential schools, and other colonial interferences, and I started to feel so sad that we have to research and teach ourselves if we want to connect to our cultures because there are so few elders left. [Side note:  I have re-read the intro and some of the interludes and Orange makes a very good case for this way of gaining knowledge.  He suggests that as modern people, we are no less Indian because we are in cities because cities are still on the land – still part of the Earth – which is still connected to All Our Relations.  He suggests that we are still “traditional” even if our knowledge acquisition methods are modern.]

Then I became afraid.  How do we know what is “right”?

I realise that this grief, that has grabbed me by the throat, was not just for my bio-Mother – it is for my culture.  The loss felt by all I don’t know – haven’t learned because of the shame wall built and the disconnection from what my Spirit knows to be true:  “We are the memories we don't remember, which live in us, which we feel, which make us sing and dance and pray the way we do, feelings from memories that flare and bloom from a wound made by a bullet fired by a man shooting us in the back for our hair, for our heads, for a bounty, or just to get rid of us.” (p. 10)  Orange does such a great job of bringing up these pains and questions in his novel…this medicine story for modern Indigenous people in North America…I want to say modern, Urban Indians but I hear Leanne Simpson in Islands of Decolonial Love in the piece lost in a world where he was always the only one: “ i cringed everytime he said ‘indian.’” (p. 56) and I would die if I’d upset her.

But that’s what it is – a medicine story for modern, urban Indians who don’t know how they – we – are.  A medicine story with transformers: traditional (Orvil and Opal with their spider leg legs) and modern (Tony and his Optimus Prime reference) trying to make sense of the responsibility of that role, chosen and not.

Getting gunned down at a powwow by one of our own – intercultural violence when trying to step into – to realise – self-actualise that longing to connect to the deepest parts of who we are:

-dancing as prayer

-drumming as prayer

-singing as prayer

Gunning us down as we learn – as we teach ourselves – how to pray is so fucking tragic!  It’s like we destroy ourselves from the inside because we can’t seem to agree on what to save or honour.

Even the thieves turn on each other – so we even tear ourselves apart to tear each other apart. 

One of the best weapons of colonialism.  We mimic the methods of our oppressors.

The guns were made on a fucking printer! They are not even “real” guns! – Like the Escheresque argument/discussion of who is the “real Indian” in the novel from Opal with her long name and her experiences at Alcatraz during the AIM occupancy in the early 70s, to Tony opening the novel talking about living with FASD – The Drome – to Jaquie Redfeather, the teen mom created out of rape at Alcatraz, the daughter she gave up, the boys her sister Opal raised, and the daughter who suicided as an addict on the streets. 

The stories of domestic violence, alcohol, and the many, many recoveries…realities for urban, non-urban, full blood, mixed blood people.  Dene Oxendene, in an interview with Calvin, says “…I just don’t know about this blood shit,” (p. 150) and it makes me cry…like when Edwin Black finally finds out what his “tribe” is after he finds out who his father is:

For how many years had I been dying to find out what the other half of me was?  How many tribes when asked in the mean time?  I’d gotten through four years as a Native American Studies major.  Dissecting tribal histories, looking for signs, something that might resemble me, something that felt familiar.  I’d made it through two years of grad school, studying comparative literature with an emphasis on Native American literature.  I wrote my thesis on modern Native identity, and the literature written by mixed blood Native authors that influenced identity in Native cultures.  All without knowing my tribe.  Always defending myself.  Like I’m not Native enough.  I’m as Native as Obama is black.  It’s different though.  For Natives. I know.  I don’t know how to be.  Every possible way I think that it might look for me to say I’m Native seems wrong. (pp. 71 and 72)

        Those words hit me so hard, I had to put the book down for a while.  In combination with the teachings from As We Have Always Done, by Leanne Betasamosa
ke Simpson, I was moved to write this poem:

mosaics

It’s like being half person –

but the other half of me isn’t missing;

just hovering.

It’s not even half

    but fragments –

mosaic pieces in drumbeats

    mortared by smoke and prayers;

and hidden under

            silos

            barns

            and tractor treads

leading, on asphalt,

            to concrete

            glass

            and steel fingers

pointing to the skies we are choking

with unholy smoke empty of prayers –

even for forgiveness.

Knitting whispers into DNA

through fragments tiny as beads;

call me

            all of me

to the centre where prayers are made.

So I go.

And I rest awhile

            to hear my grandmothers’ voice[s]

Sometimes she speaks

Sometimes she sings

Sometimes she dances on silent feet

to the music of my heartbeat

echoing hers

echoing hers

echoing hers

echoing ours as far back as the hills remember

            or the grass

            or the velvet on elk’s horns.

It’s all in me –

the keeper of the land –

and the taker:

            sometimes at the same

awkward

dinner talk on warm August evenings.

It’s all there –

            the dust in my veins

and the drum in my breath:

sometimes confidently

other times

tentative to move toward the vision teachings

without the science of genetics…

but I know better,

I’ve been told better;

so dreams speak louder than molecules…

most of the time.

R. L. Elke

Oct 14/1

           

            We are killing each other with weapons we create through mechanisms we obtain from “out there” – the dark web – where Daniel found the 3D printer.  We are killing ourselves with fake weapons for fake money to pay debts that don’t belong to us.  It seems that when the modern world collides head on with our traditional world, people die.   Colonialism buries us one way or another:  either through the attempted removal of our culture or in suffocating doubt about our own identities.  It has stolen our children, kidnapped our elders.  It has forced us to learn how do powwow dancing by watching YouTube.

The wound that was made when white people came and took all that they took has never healed.  An unattended wound gets infected.  Becomes a new kind of wound like the history of what actually happened became a new kind of history.  All these stories that we haven’t been telling all this time, that we haven’t been listening to, are just part of what we need to heal. Not that we’re broken.  And don’t make the mistake of calling us resilient.  To not have been destroyed, to not have given up, to have survived, is no badge of honour.  Would you call an attempted murder victim resilient? p. 137

         Maybe we don't call it resilient.

        But we are still here.
     
     

The Haircut

There have been too many messages to not do this today.  Too many messages today to not do this. 

So I will.

I have been, very slowly, recovering from a strep infection in my throat…living in strange fever dreams and visions calling me to speak – sometimes for myself – sometimes for others but always for truth, however disjointed, opaque, or strangely presented.

I knew today would be strange…had a feeling today would be strange.  It’s my mom’s birthday; the first one after her passing in March.  My dreams and visions, in and out of fever, have been manifesting themselves in many ways in the past few days…dreams from weeks, months, and even years ago are walking around me in various forms:  teachings in the books of my favorite writers, lessons in my course work, and today on CBC as Adam Cohen spoke of his father’s upcoming poetry collection and the great love he has for his father.

That was the straw…the call to action so loud and clear, she could have been sitting beside me telling me to write this: my mom.  A month after Cohen passed to Spirit, I dreamed I sat with him in a broken down conservatory.  I was, for some reason only dream can know, his sound person and, as in this waking world, I have no earthly idea how to run sound equipment.  In the dream the power went out or was out and the only person to be heard singing Song of Bernadette was me.  Mr. Cohen walked down the three steps from the stage to come and sit across from me, where the sound equipment was, leaned into me and chuckled, “hey, why don’t you take that song?  You sing it better than I ever could.”  In my dream I remember saying: Holy shit! Leonard Cohen just gave me Song of Bernadette!  I remember, very clearly, understanding, even before waking, what that meant. 

I shared that dream with my mom.

I knew the second I heard Cohen’s name mentioned that every word was for me – every word was from both of them to me.  I knew that whatever came out of this, I had to write this post.  In case there was any doubt, the whole interview ended with I Came So Far For Beauty when Adam was asked what his favorite song of his father’s was.  I have sung that song in a performance evening attended by my parents when my 26 year old was a baby.

She was, as always, speaking in a way I was forced to heed – eventually.

And I put it off as long as possible because, honestly, I am not really sure how to write it.

I could side track the task with the stories of the dreams I have had recently where I am dancing with one of my students – a hoop dancer – who, in the dream taught me to dance while my mother stood and watched, smiling.  That morning I woke up crying. In the dream I had said how much I missed her, as she faded into the place between awake and dream time. 

Today one of the teachings in my course work was hoop dance teachings.  No kidding!  Yeah.  She’s here.

So, I guess, this is it:

My hair.

Some people who read this have seen me around recently.  They have noticed a dramatic change in my choice of hair style:  my hair has been cut off.  It has been a difficult process to get there – one I didn’t really want to go through.  I, truthfully, would have rather left my hair long, feminine, pretty. 

I knew I couldn’t do that.

Many peoples have many, various, beautiful teachings about hair and the sacredness of how best to keep, handle, and revere it.  Indigenous people have long traditions about the sacredness and medicine of hair.  They are as unique as the various families, nations, and communities.  For some people, some who wear braids, sometimes the teaching is that one braid, traditionally was for the mother medicine and teachings and one was for father medicine and teachings.  For others, for many, hair is the connection to Mother Earth – the tendrils connecting us to Her – and all she gives us in all of the levels and ways of being.  It connects us to prayers, to love, to our Ancestors, to all of our teachings we have gathered through our journey – especially from our elders…those who help to create us as we are…as we have become.

For me, in that regard, my hair grew most during the period of time my mother was sick – the time when I journeyed to her; when we found a peace…when I found a peace.  We talked about our lives, how we became so far apart…how I was forced to either hold old grudges until I ran out of time to drop them or decide what was worth holding against a dying woman to make me feel vindicated for the years I had to withdraw to save myself.  In the end, in the days before the never ending drip of synthetic pain medication and saline and serrated sponges for her chemo wounded mouth, we spoke of our choices and she said and did absolutely everything I had hoped she would…everything I didn’t think she would because she never seemed to understand what my deal was – so I thought. She talked about why she drank.  She talked about all I had been through.  She talked about family pain she had carried, too, forever and chose not to burden my sister and I with so we could have a good life.

 

It was that once in a life time talk.  It had to be.  It was.

After that, I returned one more time for two weeks, through the Yule season, spending Christmas with my family, for the first time in over 20 years, in hospice.  I slept on a blow up cot beside her hospital bed, praying to her every night that it would be ok if she wanted to go.  She was struggling with pain meds and her stomach.  We weren’t sure how long we had with her. 

The docs sorted out the meds.  She rebounded and made it to early March.

I texted every day or nearly every day.  I had my friend and stylist re-coloured my roots, re-coloured the flamingo pink streaks. I kept in constant contact and I prayed and my hair grew.  So that by late February, when I talked to her for the last time, my hair had grown a couple of inches longer.  I told her about the drum I was making.  She was so excited.  Before we hung up she told me she loved me and started to cry…said she always loved me…we cried together. 

Not long after that, I dreamed she was at a gallery opening for Kendra but it was like the old, dusty barns near Chilliwack…the place called Gammy and Grumpas (or something like that) where there are all kinds of old treasures.  She was the first in line to come in but she was on the other side of the line.  She had a walker for some reason and she looked much better than she had the last time I had seen her.  I found her accidentally, as I was trying to avoid running into people I had seen in a different part of the “gallery.”  I immediately went to her and asked her if she wanted to come in.  She told me that she was where she needed to be.  Somehow I knew she came to say goodbye to me.  I remember, very vividly, putting my hands on the bar of the walker and leaning my head into hers.  We stood there, forehead to forehead for a long time.  I woke up with a start – an energy passing over me with a chill – and I was convinced she was about to pass.

It would be another few weeks before that would happen.

Still my hair grew.

I prayed and my hair grew.

After she passed into Spirit on March 5, life kept going.  March 18 was her celebration of life, late snow fluttering onto the golf course where the gathering was held…keeping many family members from the event.  Some of our Saskatchewan family were snowed in. We barely made it through a clearing in that late snow pattern we had in March.

Life kept moving.  Poetry readings happened.  Presentations happened.  Graduations, birthdays, visits from dad, alone, happened.

Winter changed to spring changed to summer.

All in my hair.

I decided, pretty much by the end of May, that I was going to go back to Saskatchewan to piece myself back together with my mother.  That has been documented here, too.

All of that trip grew into the grey roots and the faded pink.  I had to get that trip into that hair before I cut it.  That was the last piece I needed to connect this teaching…so I thought.

When I came home in early August, I fought with myself about it.  I didn’t want to.  I didn’t want to have to deal with the vanity issues I knew would follow…the hatred of my face…the struggle with my gender fluidity. All of it.  I didn’t want to add that to all of the other changes in my life.  But I knew I had to.  It was the only thing that made sense.

So I did it.  My dear stylist friend is a Sto:lo woman.  We did ceremony before the cut.  It all was done with good heart. I had held onto the hair a little too long after but have since received good teachings around how to deal with the ceremony of the after and have taken care of that now. 

All that’s to do now is to grow it back.  New life stages, new growth, new hair.  Only thing is that it’s a constant reminder of the loss.  I am sure that is another of the deep teachings of this ceremony.  Learning from those who have gone before me to remember to have a grateful heart for the good teachings she left me with…which brings be back to the beginning of this piece, of today – like the hoop – at the end of the interview with Adam Cohen, I found myself asking out loud:  “what was her legacy for me?”  I would have to say the granite uprightness and the strength to keep putting one foot in front of the other when everything in you keeps screaming to just collapse.  My Granny, her mother, had that, too.  Granite strength from intergenerational trauma so far back the Mormons are the only ones who could find the end of it.  Could be worse, I guess.

Days of long hair - summer trip with dad.

So, if you happen upon me at a thing now and then, and you see the change, you know the story now.  I’m not loving it but it’s a process.  And it will grow back. Thicker and healthier.  It always does.

Episode 4 - the final entry

The stop at the acreage in Bon Accord was crushing.  The place was unrecognisable; like the pea-cultivated lands of dad’s youth and my memories of running wild.  We drove past the place the first time.  Nothing was the same – or familiar enough to bring back memories of the place that meant so much to me. 

Nothing was recognisable.

The house was gone, the circle where we tried to grow roses was over grown by a large tree, and the forest had almost completely taken over the fields where we once baled hay.  The only parts I remember were the carpet of wild strawberry plants covering the entire back field and the purple flowers I loved to pick in the early days before I learned they were weeds. 

Maybe that is where the teachings are here:  the heart is in the soil and the foundation of what it taught me – of who it make me…created me to be…is in the soil.  the heart carries the lesson of the place, regardless of what the physical change may be and it will bear fruit in its season.  Nothing can uproot the memories of the place…it carries us even into the grasses an smallest, ground crawling plants…growing strong and resilient in spite of frost, heat, and being trampled by man, beast, and machine. 

I am reminded of the story of the heartberry (wild strawberry):  the broken hearted Iroquois mother, planting heartberries in her dead son’s body, to remind her of him and a gift of  forgiveness for her sons who were told to stop play fighting before one of them was hurt.

It was the perfect place to end the journey; I see now:  heartberries at my feet…the prayer of forgiveness echoed back to me as dad and I drove off into the Prairie sunset on our first night in Saskatchewan. 

And, as if to punctuate the teaching, I felt compelled to return to the Bow River in Cochrane, for river rocks, and to hear the water and remember the days when I forced myself to let the hurts go to make a peaceful, pure ending…shift to the earthly relationship with mom.

It makes sense now.  I feel the teachings now.

All I could see were wild strawberries under all of that forest and encroaching plant life.  All I could see were the tiny strawberry leaves and runner stems. I wanted the land to say my name – to remember me and I was angry it didn’t say my name the way I wanted it to say it: to scream out to me how it missed me and run to me, arms open – like my Aunty and Uncle did at the lake. 

I was angry and hurt – scorned that it didn’t remember me…but it did.

It held me close to it and whispered to me how it loved me and had forgiven me for leaving.  It carried me in its heart through those little, precious heartberries – that memoir whispered to me through out…I remembered the wild strawberries of that place, too.  The outward appearance, like those other places, had changed, but the soul of the place, the heart of the place, remembers and carries us all.

I am so profoundly grateful for these teachings.

Dad said, “it’s too bad we can’t put everything in a time capsule,” when we were driving away from the acreage.  I was sulking and angry with the place and silent.  I told him I was sad about the changes and he offered up that regret.

Perhaps the teaching here is that the time capsule is the heart.  Everything and everyoneis the same there – better than the same…the perfect version of the place, people, and pets we needed at the time.  Time freezes in perpetuity there.

Honestly, I am glad the land was left to run wild back to its original way.  The new owners love the land so much – they have raised children, are raising grandchildren, and inviting friends to the place to encourage them to love it like they do.  That makes me happy.  The land is loved very much there. 

At our old house on Fisher Street, a man was in the garage, working on a project and watering the plants in the front of the house.

At the house on James Cres, the owners painted the house, putting their mark on the place…loving it their way. 

But we are there, too:  in the layers of paint under it, in the soil particles once worked with our fingers or collected in the dust in between our toes.  We are there in the corners of the room or the running, tiny strawberry leaves.  We are there.  The wind whispers our wishes and the trees chatter with our laughter.

We are still there.

What a blessing to be gifted with this teaching.

Episode 3

We left the next morning for Tisdale and points north.  Stops included Leroy, the Leroy cemetery, the site of my father’s former family farm, Tisdale, Tobin Lake, and Nipawin. 

We started the tour that day at the Leroy cemetery where my dad’s parents and some cousins are buried.  It was strange to see the new headstone.  The last time I visited the dead in that place was, easily fifteen years ago.  My grandmother was still alive.  The only headstone marked my grandfather’s place, a lovely stone with a horse head carved into it.  The new one is a shiny black one, with a lovely thank you on it to both of them for all they gave to make the lives of their children better. 

Cousins I remembered from my childhood, and aunties and uncles were there, too.  My father’s people rested in this place for at least 3 generations.  Pretty impressive for a kid who has only ever lived in one place for a maximum of 6 years. 

The rain the night before dampened the dust a bit on the roads, fragranced the air with the scent of wet earth and warming grasses…the olfactory memory of my earliest remembrances.

The house my grandparents bought in town, when they moved from the farm, was up for sale.  Dad took the number.  I wonder if he ever called it.  The current owners had added on to the front of the house and had built a deck on the side where the bathroom and dining room used to be.  I wondered how different the layout of the inside would be from what I remembered it to be in the early to mid 70s when we would spend Christmas’s there and when I would visit for summer holidays. 

We then drove out to the old farm location.  Nothing stood except for the well hole which has fostered a cluster of little bushes in the middle of a pea field.  It struck me how sad it was that all of the places I loved and that I loved had changed so much.  I wept in the field, with my dad, for the places that changed.  I asked why everything had to go away.  The house on James Cres looked smaller, the school where I attended grade one…the school where I pulled the fire alarm was completely torn down.  My Granny’s house in Tisdale, the school my mother attended, and the grain elevators I pretended were monsters, had all been replaced or removed.  Time had marched on without me and that was fine.  What I couldn’t accept was that no traces of my people were to be found.  I could not feel my Granny or my mother there at all…except that the sidewalk in front of the lot where my Granny’s house was exactly the same.  Who knew that a crumbling, old slab of concrete would bring so much comfort.  I really wanted to bring home a piece but there were none to be had.  Pretty good for a 40+ year old side walk job!

After seeing all of the changes to the places – how they have aged and grown and created new lives for the new people, it was crushing to be at the old land to see nothing but crops. 

The pea field on dad's old farm land.

I had yet to hear more stories of the place but the ones I knew had no place to haunt except the well site.  My first free run was on that earth and it remembered my tiny footprints.  I could feel it as palpably as I could feel that connection when I crossed the Alta-Sask border onto the legendary horrific roads of my birth province.  It felt like home: the bumpy roads where the government is too “poor” and the people too busy on the land to fix the highways chewed up by the grain trucks and the bite of deep frost in the epic winters. 

That land, in the pea field, knew me.  The families of that land were/are third generation farmers – caretakers – of that land.  Their ancestors were beneficiaries of the theft of the land from all of the original inhabitants: people and more-than-human kind.  It was very uncomfortable to listen to conversations about immigrants and farming at the table of my Aunty and Uncle, listening to Aunty talk about her mother’s people (my dad’s mom) and her father’s people homesteading the area that had been cleansed of Indian and buffalo.  I wanted to speak up but stayed quiet.  I could feel the fight in me between the settler and indigenous self.  One benefitted from the sacrifice of the other:  the true story of Canada, I believe. 

That conversation was days before the Tisdale trip, but still hung around me as we visited these places where my father’s family still farms the land.  It was/is a sense of pride that my family still makes a living farming land their great-great grandparents farmed…the land stolen from the original people.  It is a constant struggle in my heart.

After a nearly complete loop around Tobin lake to find the cabins my dad was looking for, and a drive in a prairie down pour, we headed out to Alberta via Batoche.  I had not been there since grade 12 when my Socials teacher took the grad class in 1985.  I only remember the farm house.  It’s still there and they are doing repairs to it. 

We took the shuttle around the property (there was no shuttle in ’85, I’m here to tell ya…we hoofed it around the place) and even walked a part of the Carelton Trail! 

The Carelton Trail

I was thrilled.  Dad seemed to enjoy it, too.  After that we headed to Bon Accord, just outside of Edmonton, and the place I have carried the longest.  The place that has meant the most to me of all of the places I have carried throughout my life.  

Episode 2

As I said before my wander into my uni-memories, my father remembered every house. I was super impressed.  I also felt heavier with every stop…how was he holding it together?  I could not imagine the agony he must be feeling as he walked to the houses to take pictures of the places where he made homes with my mother.  It must have been excruciating.  He walked into the shrapnel hurricane of memories like a fucking champ, once again reminding me why he is one of the strongest people I know.

Only one house got to me.  Only one house augured holes in me so palpably, I remember feeling pain in my solar plexus that nearly doubled me over.  James Cres.  The last house where I was part of the family…the last house I lived before I moved out here…It did not look at all like I remembered it.  For one thing, it looked significantly smaller than I remember it being when I lived there.  I was 23 when I moved out of that house, so it wasn’t the whole “everything looks big when you’re little” argument…I mean… I am pretty short but I don’t think that was it.  The trees were much bigger, for sure and the dark colour of the paint may have had something to do with it.  It just seemed so much smaller.

After wandering around the city, we drove out to the lake where we had a cabin for a number of years, and had arranged to meet my Aunt (dad’s sister) and Uncle to follow them to their house on the same lake.  It is a paradise. 

We enjoyed a lovely dinner and were having nice conversation when they began to talk about the Humbolt Bronco’s bus accident and how my cousin was there to reconstruct the events…walking among the horrors the morning after.  Something inside me snapped.  Only 24 hours prior, on the way to Regina, I was pulled over to the broad shoulder of the prairie highway, to receive a phone call with the news that yet another student had died in a car accident – bringing back all of those feelings from 6 years ago. 

I sat at the dinner table listening to them talk about my cousin dealing with the heads and legs and arms at the scene of the accident and I could not contain the tears.  I tried so hard to be together until after dinner.  I tried so hard to be an adult and to “be strong”  in the face of all of this, in the face of this loss, my loss, their loss…and I couldn’t do it.  I pushed my chair away from the table.  The last thing I remember was my hand on the door handle.  I felt the steepness of the wooden stairs to the beach and I remember the water.  I sat in the lake and sobbed.  I have not cried that hard in a very, very long time.  I cried angry tears for all of the days I walked as a silent monument to mature grieving, the days I held it together at school, the days I held it together for my dad, for my children, for my sister who doesn’t even talk to me anymore.  I cried for the pieces of myself that were gone into the decades I left in this place that barely remembered me anymore.  I felt myself dissolve into the sandy lake shore and gave it all to the waves splashing over my weary legs. 

I understood the story of half-boy – how the angry young man became whole by weeping into the river, by seeing who he really was, who he saw himself to be.  The harder I cried, the more I felt myself re-membered to this lake where I had cried, broken hearted, so many times.  Of all of the places I carried, I least expected this one to be the place where I was to be re-membered the most. 

I am not sure how long I sat in the water but when I “came to,” I felt so embarrassed for rushing away from the table like a moody teenager, that I almost didn’t join everyone on the side deck.  I almost went to bed because I didn’t think I could face my dad or my aunt or uncle.  I chose to put on my big girl panties and joined them with a mumbled “sorry.”  They were great and after some time visiting, I decided to take my drum to the water and sing for everything I had cried for.

It was perfect.  The sun burned off the remaining afternoon clouds, creating a magenta road to the horizon…like the vision Wab Kinew described in his memoir that helped him re-frame his role in his father’s life as he died of cancer.  I thought about this sun road as a path the newly deceased young woman would take back to the spirit world, the path my mother had to take.  I smudged, prayed, and played the song I was promised I would hear if I listened to my heart beat.  I drummed to the beat of my broken heart and sang the song to the sun, the dead, the living, the broken, the healing.  I opened my heart, opened my mouth, and stood in the water and kept singing until I saw her wave to me as she walked into the sun…the young woman.  I knew mom was there already and she showed me by making the clouds resemble feathers.  It was beautiful.

We rested for a day in this paradise. My uncle nailed it when he said it was a healing place.  I don’t know about dad, but I really needed that rest day.